Die vier Edelsteine sind unter den a cappella Gruppen eine Sensation
The extraordinary GEMA 4 celebrate their 25 years on stage. They do it with a new CD and performance. They relive their best and the most significant music tracks. Those ones which have renowned them as a referent in their style at an international level.
The GEMA 4 vocal arrangements are imbued with Cuban roots and other influences. They have been touring the main stages showing their talent. They have also shared shows with famous artists such as Ibrahim Ferrer, Celia Cruz, Omara Portuondo, Eddie Palmieri among other talented artists.
Now, they are going to take us through the great boleros essence, the feeling, the sones, the guarachas, the chachachá… with the same sense of humour that made them famous 25 years ago.These four exceptional voices have released a careful and subtle work with the highest musical level.
Let’s start at the beginning…
One afternoon in Havana, in July of 1991, a social gathering was held at the residence of the Cuban composer Marta Valdés… one of the guests, Ms. Elena Burke, upon hearing Odette sing, approached her and said: “That was really nice, but how about finding three more female vocalists and creating a Quartet?” In Cuba, a country with a long tradition of voice quartets, Elena missed the years when the sound of such groups seemed to be heard from everywhere; quartets such as Meme Solís (a mixed group), Los Zafiros (a male vocalist group), las D’aida (a female quartet composed of Elena
Burke herself, along with other singers such as Haydé, Omara Portuondo and Moraima Secada and furthermore directed by the pianist and arranger Ms. Aida Diestro), and so many others whose song filled the warm night air, after hours on the island of Cuba.
One week later, Odette reunited with the same group of guests as before, again at the residence of Marta, the composer, this time accompanied by three contraltos named Estela, Damaris and Laura. Together, they sang an a capella version of the songs “Evocación” by Tania Castellanos and “La Mujer de Antonio” by Miguel Matamoros. When they were finished, those present burst into enthusiastic applause. Everywhere in the room people could be heard asking one another, “Who are those girls… what’s the name of their group?” The four young ladies looked at each other almost with embarrassment and stammered in their attempt to offer an explanation: “….we’ve only been arranging our repertoire for barely a week, enough time to rehearse but not enough time to really come up with a name…”. Almost at once Elena spoke up: “I’ll give them a name, this group will be called the Four Gems (or Las Cuatro Gemas), first of all seeing as to how they make up a total of four jewels of the Cuban music scene, and second of all because that’s what I feel they should be called….”
A few days after that, Elena formally introduced them on the anniversary celebration marking 50 years of her long artistic career; a concert which was held at the Mella Theatre in Havana. The four band members, now known as Gema 4, specialized throughout their extensive training in singing, choir directing and musicology. From the time they were very young, they sang regularly in the choir at the music conservatory where they studied. This was where they received their first inspiration to do something different. The idea they had was that of bringing back old songs along with a few forgotten genres which the youth of the time either no longer listened to or had little knowledge of, and then performing it all a capella.
They paid particularly close attention to Bolero, to another genre known as ‘Feeling’ which they were close to along with traditional songs associated with the genre known as ‘Són’. In 1994, the quartet recorded their first album titled, “Grandes Boleros a Capella”, rated 5 stars by the cult magazine “Le
Monde de la Musique”.
The year 1996 saw the release of “Te Voy a Dar” and which received the prestigious EGREM music award, shared with another album of Cuban music titled “Una Forma Más”, released by the Cuban sextet Vocal Sampling. Towards the end of 1998, the quartet settled in Barcelona, a city which, over the
years, had come to be like a second home. “Gemas” (2000), also includes some songs with instrumental accompaniment. The album follows the line of versions of Cuban composers, albeit closer in time, such as Silvio Rodríguez. Throughout its’ artistic career, the quartet has shared the stage on an international level with important artists such as Eddie Palmieri, Irakere, Hernán López-Nussa, Celia Cruz, Tito Puente, Vocal Sampling, Ramón Valle, Ibrahím Ferrer and Omara Portuondo.
Gema 4 is currently celebrating their 25th anniversary.